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In the beginning was the canvas and the canvas was blank… And artist said, “Let there be colour,” and there was colour…


“The days of man are like the grass; like the flower of the field he blossoms. The wind shall pass over him, and he shall vanish, and his place shall know him no more…” (Psalm 102:15,16)

Before the start working



We. We crawl up the ladder as best we can. Clinging tightly to its woody flesh. Suddenly someone stops. For him the ladder becomes the frame of a window through which one looks at death.Death metal flies across the sky.We saw the sky when we took our eyes off the stairs, managed to lift our heads and look up. We heard the words «peaceful sky». One man, who had been a soldier in the past, used to tell us thatRead next

Start working in a new place

SO! Im ready to make great!


If contemporaneity can be critically understood as a category of historical time where different identities, modes of life, forces, factions, and times are forced to coexist under the same imperative of globalisation and its forced subjective unidimensionality, then Sandra’s work is to be critically understood as a working-through of the implications of this contemporaneity.  She approaches with apparent endless supplies the contradictions in the subjects of memory, society, love, sex, sacrifice, freedom (and unfreedom), and, in my opinion the ‘puntoRead next

I do not force body-positive) people to love, I urge you to love yourself

This graphic plane did not arise from a dream… it sounds like the beginning of a fairy tale, but it is most likely about the problems, experiences and other day of the female consciousness, which is difficult to put on the rails of a fabulous atmosphere. This is not a built-in refined story with a good ending … maybe some of these ideas will seem crazy, but for me this is a normal working method that appears not exactly inRead next


I was taught that a woman should be able to do everything and be everything!In our world, a woman will stop a galloping horse and enter a burning house …And when she gets bored with everything, she sharpens pencils sharply and tears paper with them!


Each artist gazes intently into the faces of his contemporaries. In their eyes, the artist sees joy and suffering, doubt and determination. The composition “Faces” was created in the spirit of expressionism. A close-up of a face-mask. It is molded with red, blue, green and white spots with black stripes. The background is also organized by intense color spots on which faces and fragments of bodies are inscribed. The archaism of forms, combined with abstract picturesqueness, make up the peculiarityRead next

Dream from Thursday to Friday

Surrealism is pure psychic automatism, aiming to express, either orally, or in writing, or in any other way, the real functioning of thought. The dictation of thought is beyond any control on the part of the mind, beyond any aesthetic and moral considerations. Andre Breton


This graphic image is drawn on a thin sheet of coated paper, where the collage simply patched up holes and modeled further space, trying to extend the life of the paper.Paper can be compared to a person, and a stroke and a wave of a pen can be compared to emotion. Light, windy, sonorous, but at the same time repulsed by its pricklyness and its vision of what is happening.How deep not to fall, but if you know that thereRead next

About me

The figurative structure of Koretskaya’s works is based on the associative experience of semantic meanings. Playing with the theme of the ugly in art, she uses the language of the grotesque. In her works, nothing evokes a feeling of admiration or pleasant contemplation. The created images are disturbing by some kind of internal tension and reflect life seen from the inside. Crowded in the mind of the artist, they strive to break free so that unreality becomes reality. Their appearance could be explained by the difficult and contradictory times in which we live. However, the rebellious spirit seized Sandra long ago.
As a child, she was a restless and restless child. The decision to send the girl to the Taganrog art school was made by her grandmother, and it turned out to be fateful for her granddaughter. The first steps, like many young children, Sandra took under the guidance of E. Dmitrieva. Having matured, she studied with V. Baranovsky. The demanding teacher paid a lot of attention to work on the composition, forcing him to work on sketches for a long time. It was he who suggested using the technique of ink, pen, which interested his student. Long sessions of drawing and painting captivated the girl so much that she could not imagine herself in the future without art. Then followed studies at the RCU, Kharkov Academy of Design, SFU. In her student years, learning the basics of the craft, Sandra retained her special vision and sense of the world and strengthened her creative position.






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